Antonio Puri
Artist Statement
My art is my means of
identifying with the universe. Therefore, I use spheres as a timeless
symbol to express my need for universality. My inspiration comes from the
unity between the microscopic and the macrocosmic.
My painting process is also
designed to bridge the gap between the known and the unknown. By using
strings and sometimes wax as a resist (modified batik technique), I am able to
reveal several layers of paint which would ordinarily get covered up.
Introducing a hybrid of techniques, symbols and various mediums, I am hoping to
create Oneness.
Artist Bio
Despite surface
differences, the essential commonality between artists is that theirs is the
profession of playing with the universe. With tools of color and shape,
all artists play with time and space. Regardless of variances in
style, success, and philosophy, every artist takes their turn at being God,
using the raw materials of light and nature and re-making them in the
reflection of their own dream.
Antonio's first experience
with light and nature was growing up at the toes of the Himalayan mountain range,
the world's most impenetrable wilderness. Vast, imposing, and perfect,
Antonio's inspiration was cut like the granite of the range itself and
weathered by its timeless music. It is little wonder, given so
magnificent a backdrop, that Antonio's first steps into Art came at the age of
5. A sensualist from the beginning, Antonio experimented with clay,
batik, woodcarving and charcoal before painting with oils at age 12.
Antonio spent 17 years
beneath the gaze of the Himalayas before wandering into the world that would
become his playground. His experience in both English and International
boarding schools lends the first hint of universality to his work - giving an
international essence to his Art that transcends culture and ethnicity. From
the simplest circle with a black background, to the eternal fire which burns
within its core, everything Antonio paints is propelled by the most basic human
drives - separate from the superimposed edifice of any single society. In
this way Antonio captures both the singular distinctive flavor of the
individual heart, as well as the beating drum of humanity in whole.
Antonio studied Art across
the globe - from Spain to Iowa, India to San Francisco. He drew
inspiration from the Spanish Masters, French Impressionists, Abstract
Expressionists, and the Dadaists. But none of these would match the
simple awe he saw in the world itself.
Curiously, at the same time
Antonio's passion for Art was reaching its full harmonic, he was simultaneously
leading a double-life, studying law at the University of Iowa. At 29
Antonio became part of the Illinois State Bar as a corporate attorney and gave
it up within five years to pursue art full-time. It is perhaps his
experience as a lawyer, where words are twisted and thrown like weapons, that
makes Antonio hesitant in speaking of his work. Ask him the meaning of a
particular piece, and his face fills with a vague pain. "I'm not a
writer. If I were I would talk about it. But it's not that I don't
want to. I can't. I can only say it in the colors. That's
where the meaning is. Colors are universal."
Perhaps it is this.
Or perhaps it is that the emotional power of Antonio's paintings cannot be
captured in words. In dramatic support of this contention are Antonio's
recent circles. The ambiguous eternal beauty of the spherical form seems
to reveal the uncertain nature of love and hate, good and bad, beauty and
ugliness, a powerful illustration of the immovable unity between the spinning
opposites that cannot be experienced in the divisions of language.
Explained, maybe, but not experienced. But beyond the meanings and themes, the
ultimate point of his work seems to be the sweeping happiness of his color - a
child, wandering in the park, playing with time and space. By
Jacob O' Brien - Independent Writer
2005
Artists' Fellowship Inc. Grant, New York, NY
2004
chashama artist-in-residence subsidized space grant, New York, NY
1995 University of
Iowa College of Law,
Iowa City, IA (JD)
1994 Marshall Ð
Wythe School of Law,
Madrid, Spain
1989 Coe College, Cedar Rapids, IA (BA in Fine Arts
and English)
1986 Academy of Art, San Francisco, CA
1966
born in Chandigarh, India
Selected
Collections
Morgan, Lewis & Bockius LLP, Princeton, NJ
Post &
Schell, Philadelphia, PA
Ritz Theatre,
Oaklyn, NJ
Moriarty
& Associates, P.A., Tampa, FL
The Noyes
Museum, Oceanville, NJ
Bergen Museum
of Art and Science, Paramus, NJ
NY Hospice
Program, New York, NY
chashama, New
York, NY
Direct
Insurance, Tampa, FL
Planet Art
Museum, Cape Town, South Africa
New Port
Tampa Bay - Waterfront Condos, Tampa, FL