MILLICENT
KROUSE
Artist Bio
ÒI donÕt know why I paint, but I suppose it keeps me going.Ó
Millicent is a Philadelphia artist whose career began with oil paints and might
have ended with woodblock prints had she not switched to watercolor in 1985.
Millicent was awarded a full scholarship to study at the
Pennsylvania Academy of Fine Arts in the late 1950Õs where she became enamored
of still life. There she was awarded the academyÕs two most coveted awards- the
Cresson and Scheidt scholarships for travel abroad. After returning from Europe,
she attended a woodblock printing course offered by Morris Blackburn, where she
Òfell in love with printmakingÓ and quit painting altogether. She reasoned that
when a print sold she would always have a copy for herself, whereas once a
painting sold, it was gone forever. She did woodblock prints exclusively for
the next 25 years, devoting herself to depictions of plants, animals and
insects. Her prints were acquired by museums in the Philadelphia area.
After KrouseÕs husband died in 1985, she began using color,
reworking some of her prints using colored pencil, pastel and gold and silver
leaf. ÒThe use of color became therapeutic, like a lifelineÓ, she says. She
also began longing for a medium that was more immediate because Òwoodblock
printing took such a long time to do that even a small output of three or four
editions began to wear on me.Ó So began her new technique of using only colored
pencil and watercolor, but still maintaining her still-life subject matter.
Millicent never works from photographs, preferring to draw
and paint from real life. When painting flowers, she works wet-in-wet because
she is able to achieve softer edges and Òluscious color gradations,Ó as she
describes them.
Graduate: Pennsylvania Academy of Fine Arts
AWARDS
Cresson & Scheidt Travel
Scholarships
Honorable Mention. 11th Annual
National Boston Printmakers
Lerch Purchase Prize, "Earth Art '73", Civic
Center Museum, Philadelphia, PA
"Excellence
in Graphics", Provident Bank Award -RSFAA, 1986
Graphics
Prize -RSF AA, 1996
First
Prize, ÒPaper ChaseÓ Exhibition, Plastic Club of Philadelphia, 2003
SOLO SHOWS
Philadelphia Art Alliance
Warehouse Gallery, Arden, Delaware
Janet
Fleisher Gallery, Philadelphia
Houston Hall- University ofPennsylvania
Law
School -University of Pennsylvania
Women's Cultural Trust Gallery -University
ofPennsylvania
Berg
Gallery, Jenkintown, PA
Newman Galleries, Philadelphia
Provident
Bank, Philadelphia
Artists'
House Galleries, Philadelphia
GROUP SHOWS
Pennsylvania Academy of the Fine
Arts, Philadelphia
National
Academy ofDesign, New York
Boston Museum of Fine Arts, Massachusetts
William
Penn Museum, Harrisburg, PA
Prints by Pennsylvania Artists, Penn State University
Art Museum
Rosenfeld
Gallery, Philadelphia
Philadelphia Chapter Artists' Equity Triennial Exhibit,
Civic Center Museum
The
Gallery, Barnegat Light, New Jersey
"Prominent
American Women Print Makers", Schoolhouse Gallery, Sanibel Island, Florida
Sailor's
Valentine Gallery, Nantucket, Massachusetts
National
Juried Print Exhibits, Hunterdon Art Center, Clinton, NJ
ÒTen
AlumniÓ; Pennsylvania Academy of the Fine Arts exhibit at the 2002 Philadelphia
Flower Show
2003
National Spring Open Juried Exhibit, Wayne Art Center, Wayne, PA
2005
Juried Painting Exhibit, Cheltenham Art Center, Cheltenham, PA
COLLECTIONS
Haverford School, Pennsylvania
First
Union Bank, Philadelphia
First
National Bank, Boston
Pierce Junior College, Philadelphia
Free
Library of Philadelphia
Montclair Museum of Art, Montclair,
NJ
COLLECTIONS (continued)
Reading
Public Museum and Gallery, Pennsylvania
National
Gallery of Art, Washington, DC (Rosenwald Collection)
New
Jersey State Museum
University of Maine, Portland,
Maine
University of Pennsylvania Law School, Philadelphia
Rosenberg
Gallery, Galveston, Texas
Bronson Methodist Hospital,
Kalamazoo, Michigan
Medical
College of Pennsylvania
State
Museum of Pennsylvania, Harrisburg
BIBLIOGRAPHY
Bill
Scott, ÒMillicent Krouse: Finding the Way to WatercolorÓ; Watercolor,
summer 2002
William D. Gorman, A.W.S., ÒHow to Create Woodcuts and Wood EngravingsÓ; TodayÕs Art, vol. 25, nr. 5, May 1977, pp 8-13.